JASON BOURNE FREE ONLINE FIRST MOVIE SERIES

SheвЂ™s an ex-CIA agent (Julia Stiles, returning to the series) whoвЂ™s acting on behalf of a Julian AssangeвЂ“like figure (Vinzenz Kiefer) bent on exposing CIA ops going back decades - among them the one where Bourne was recruited as an assassin, which happened before the first film, The Bourne Identity. Well, his first chaser wants to help him. HereвЂ™s the plot: People chase Bourne around the world trying to kill him. In the most jaw-dropping chase, Bourne pursues a superassassin (вЂњThe Asset,вЂќ played by Vincent Cassel) who steals a tanklike SWAT vehicle and pulverizes half the cars in Las Vegas.

When Bourne punches someone, the camera jerks in the direction of the blow, as if youвЂ™re being hit.

Greengrass rights the frame before knocking it off-kilter again, as if heвЂ™s momentarily clearing your head. He isnвЂ™t a free-floating action director like Luc Besson, for whom gravity isnвЂ™t a constant. He creates teeming, claustrophobia-inducing frames, with the action off-center.

JASON BOURNE FREE ONLINE FIRST MOVIE SERIES

Coming back to the series after nine years, director Paul Greengrass clearly knew he had to beat all those Bourne imitations, those cookie-cutter thrillers shot with jittery cameras in the style of documentaries. Jason Bourne isnвЂ™t much more fun than Damon is - itвЂ™s too assaultive and humorless. ItвЂ™s in service to the film, though, which he co-produced, and from which heвЂ™ll make more than you would in ten lifetimes. So he turns his face into a mask of stoicism and gives the dullest performance of his career. Enemy of the State (1998) demonstrated how far surveillance had come in a mere two decades, and the Bourne movies suggest that only a superman (Nietzschean and DC-ian) has a chance against the high-tech hive mind that is the modern Central Intelligence Agency.ДЄs an actor, Matt Damon has too much integrity to pretend he can multitask to that advanced degree and still be, you know, a fun person. ItвЂ™s a lot to hold in oneвЂ™s brain - far more than it was for, say, the innocent man played by Robert Redford in the seminal 1975 paranoid conspiracy thriller, Three Days of the Condor, who only had to cope with a sad-faced Max von Sydow, a bogus mailman, and Faye DunawayвЂ™s bad temper. To evade the watchers, Bourne must anticipate their watching, watch them back, and also, if possible, listen to them - which means bugging them while theyвЂ™re watching him. To survive, he must also reckon with an incalculable number of cameras pointing this way and that in search of him, and on his image being beamed to people across an ocean with the desire and personnel to kill him, quickly.

ItвЂ™s not enough that Bourne, the ex-CIA assassin turned pariah, can box, kung-fu fight, and drive at high speeds on the wrong side of the road. Here, the action consists mainly of chases, hurtling headlong into unknown territory, and the director's lurching, shaking camera leaves everything an indecipherable, gnarled mess.Whatever it does or doesnвЂ™t accomplish as a piece of entertainment, the fourth Matt Damon Jason Bourne film - imaginatively entitled Jason Bourne - makes a strong evolutionary case for multitasking. In the excellent The Bourne Ultimatum, Greengrass took care in establishing the physical surroundings of each action sequence. But in Jason Bourne, both the story and his motivations are more muddled - is he seeking revenge, to shut down the CIA's illicit programs, or both? - and Bourne is much harder to get behind.Дamon seems to be going through the motions, the other actors seem equally lost or bored, and behind it all, Greengrass turns in some of his sloppiest work. After the Jeremy Renner reboot The Bourne Legacy, star Damon and director Paul Greengrass return for this fifth entry but you have to wonder, why did they even bother, when everyone looks bored? In earlier movies, Damon gave commanding physical performances, using his eyes and expression to take in his surroundings and calculate his next move.

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